How to Change Canvas Texture in Procreate
StyleFrame Team7 min read
Procreate has no built-in canvas texture menu, so you change the canvas texture by importing a paper or canvas image and placing it on the top layer. Open Actions (the wrench) > Add > Insert a Photo (or Insert a File), scale the image to cover the canvas, then set its blend mode to Multiply or Overlay and lower the opacity until the grain reads without dulling your colors. To swap textures later, replace or hide that layer. Your artwork stays untouched underneath.
What "Canvas Texture" Means in Procreate
When artists search for this, they usually want one of three things:
- A paper or canvas grain across the whole image, so digital work looks less smooth.
- A different paper color or tone, such as warm cream instead of flat white.
- Texture inside the brush stroke itself, where the pigment breaks up over a tooth pattern.
Procreate handles the first two with ordinary layers and blend modes. The third is a brush setting. Treating the canvas texture as a layer is useful because it is non-destructive. You can swap it, stack it, mask it, or turn it off without repainting anything.
Step-by-Step: Add and Swap a Canvas Texture
1. Get a texture image into Procreate
There are several ways to bring a texture in:
- Insert a Photo: Tap the wrench (Actions) > Add > Insert a Photo to pull from your camera roll. This is the simplest option if you saved your textures to an album.
- Insert a File: Same menu, but it reads from the Files app. If nothing appears, you are likely pointed at the wrong folder, or the textures were never saved to Files.
- Drag and drop: Open Procreate in Split View beside a browser, Photos, or Files, and drag the image straight onto the canvas.
Whichever you choose, the texture lands as a new layer.
2. Scale it to cover the canvas
Select the Transform (arrow) tool and set it to Uniform so the proportions don't distort. Drag the corners until the texture covers the whole canvas, rotating if needed. Check the edges. A texture that stops short leaves a visible seam.
3. Move it to the top of the stack
For the texture to affect everything, it must sit above all your artwork layers. A texture placed on top will also influence layers you add beneath it later, which is handy when you keep painting after applying it.
4. Set the blend mode
Tap the N on the texture layer to open blend modes. Good starting points:
- Multiply: darkens based on the texture's tones. White does nothing, black gives pure black, and everything between darkens proportionally. It is the standard choice for paper grain.
- Overlay: adds contrast and texture while preserving more of the underlying brightness.
- Linear Burn: a stronger, darker alternative that some artists prefer for heavier grit.
5. Dial in the opacity
Lower the layer opacity until the grain feels right. Subtle usually wins, and some artists keep it around 10 percent depending on the texture's contrast. If it looks too strong, reduce opacity rather than hunting for a new image.
Keep Colors From Going Muddy
The most common complaint after adding a texture is that the artwork looks dull. Any texture layer changes the color beneath it, otherwise it would be invisible, but you can limit the damage.
Stack two layers. Put one copy on Multiply to make the grain visible, then add a second copy on Overlay above it to restore some brightness. Keep both at low opacity.
Desaturate the texture. A yellowed paper scan will tint your illustration when set to Multiply. Open the layer's Adjustments (Hue, Saturation, Brightness) and pull saturation down so it only affects value, not hue. A near-white, neutral texture barely shifts your palette at all.
Adjust brightness. If Multiply darkens too much, raise the texture's brightness before lowering opacity. That keeps more contrast in the grain while preserving the lights of your painting.
Try Linear Burn or Overlay instead. Different modes respond differently to the same image. Cycle through them before judging a texture.
Change the Paper Color, Not Just the Grain
Because a Multiply texture reads the colors beneath it, the background color becomes part of the paper look. Open the Layers panel and tap Background color to change the base tone. A warm cream background under a Multiply grain gives you an aged-paper feel without editing the texture file. A cool gray gives a different, more graphic result. This is quick to test, and you can revisit it at any point.
Stretching, Tiling, and Resolution
- Resolution matters. If a texture is smaller than your canvas, scaling it up softens the grain. Free packs designed for the iPad Pro screen ratio, such as a 4098 × 3072 px, 300 dpi set, are a safe fit for most canvases.
- Tile seamless textures. For a canvas larger than the texture, duplicate the layer, align the copies using snapping at the corners, and merge them into a single texture layer. This only looks clean with seamless textures.
- Avoid uneven stretching. If proportions warp, undo and check that Uniform is selected before transforming.
- Fill the full frame. If your canvas is non-standard, such as a 16:9 video frame, you may need to rotate the texture or tile it instead of stretching.
Where to Find Canvas and Paper Textures
You do not need to buy anything to start:
- Photograph your own surfaces. Linen, tablecloths, walls, and couches with an interesting weave all work.
- Scan your art supplies. Watercolor paper, sketchbook pages, and primed canvas give you real, usable grain.
- Free stock sites. Unsplash and Pixabay have paper and canvas textures. Check licensing for commercial work.
- Texture packs. Many artists sell or share paper and canvas sets for Procreate, some with blend modes pre-configured.
Match the texture to the work. Canvas or linen suits painterly pieces, while softer paper or fine grain tends to sit better under clean illustrative linework.
Alternative: Texture Inside the Brush
If you want the texture to appear only where you paint, rather than over the whole image, work at the brush level. A brush's grain settings control how the stroke interacts with a texture pattern. This behaves differently from an overlay layer. The grain moves with your strokes and doesn't affect untouched areas. Many artists combine both: a brush grain for mark-making plus a subtle global layer to unify the piece.
Working With Textured Procreate Art in a Motion Pipeline
If your Procreate art is headed into After Effects, Premiere Pro, Blender, or Nuke, how you handle the texture layer matters more than it does for print.
Export the texture separately. Keep the texture on its own layer rather than flattening it in. Export the artwork with the texture hidden, and export the texture as its own image. In After Effects you can then apply it with a Multiply blend mode, scale it to the comp, and swap it without going back to Procreate.
Animate the texture, not just the art. A static grain over moving imagery can feel pasted on. Offsetting or cycling several texture variants at a low frame rate is a common way to get a hand-made, boiling feel. That is a compositing decision you can only make if the texture wasn't baked into the art.
Check the pixel dimensions. Texture detail that looks fine on an iPad can fall apart when a 4K comp scales it. Export at a size that matches your delivery resolution, or use a higher-resolution scan of the paper.
Mind the color space. Procreate artwork and imported textures may shift slightly once they land in a color-managed comp. Compare the exported result against the original in your composite before locking a look.
Where Styleframe Fits
A textured Procreate frame often becomes a style reference for a larger sequence. If you bring that illustration into an AI video tool such as Styleframe, keep the Procreate paper texture as a separate layer in your comp. Then you can still control grain, blend mode, and animation after the generated footage arrives, instead of relying on the AI output to reproduce your paper.
Quick Reference
- Wrench > Add > Insert a Photo (or Insert a File, or drag and drop in Split View).
- Transform with Uniform on, and cover the whole canvas.
- Place the texture on the top layer.
- Set the blend mode to Multiply, Overlay, or Linear Burn.
- Lower opacity and desaturate the texture to protect your colors.
- Adjust the background color to shift the paper tone.
- Keep the texture as its own layer when exporting to a motion pipeline.
Once you have saved a few textures you trust, swapping between them takes seconds. Test each on the same piece, because the best canvas texture depends on your palette, brushwork, and where the image will finally be seen.